The Legacy of Chairs Egon Eiermann also designed furniture and interiors for some of his buildings. Eiermann’s most successful furniture design was the “E 10” basket chair (1954), whose prototype was designed back in 1948 for “Wie wohnen”, an exhibition in Karlsruhe.
In 1932 the label "International style" was applied to modern architecture by the Museum of Modern Art, New York City, anticipating its growing acceptance around the world. The United States became a stronghold of modern architecture after the emigration of Gropius, Mies, and Breuer from Germany during the 1930s.
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From the time a building is inaugurated and place into use it begins to age. So it will be decisive for its success the way bears its flaws - because the flaws will indeed come! A completely new flawless building is beautiful and fascinating for certain, while using the freshness that appears good on cover pages. However, as soon as the novelty has worn off, and time has started to get its mark upon it, the glossy magazines have turned their attention elsewhere! Like the style industry, the dwelling industry idolizes the flawless, fresh and untried architecture, without marks on its surface.
The life-span of the building outlives that of its makers by many centuries, if done right. Therefore we ought to remember that, almost as much as we build in order to meet present demands, we also build in the future, using materials, forms, structures, and planning solutions that endure the exam of time. Otherwise our buildings may find themselves obsolete, unloved, and maybe even demolished before long. We simply cannot expect to be able to create such ageless beauties for the reason that Pantheon of Rome or Hagia Sophia of Istanbul, equally we will not look as well as Sophia Loren when we finally turn 70.
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