Philip Cortelyou Johnson (July 8, 1906 – January 25, 2005) was an American architect best known for his works of Modern architecture, including the Glass House in New Canaan, Connecticut, and his works of postmodern architecture, particularly 550 Madison Avenue which was designed for AT&T, and 190 South La Salle Street in Chicago.

Philip Cortelyou Johnson (July 8, 1906 – January 25, 2005) was an American architect best known for his works of Modern architecture, including the Glass House in New Canaan, Connecticut, and his works of postmodern architecture, particularly 550 Madison Avenue which was designed for AT&T, and 190 South La Salle Street in Chicago.In 1978, he was awarded an American Institute of Architects ...

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philip johnson   crutches  modern architecture
moma  york  stone  goodwin philip johnson

moma york stone goodwin philip johnson

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art spaces

art spaces

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httpwwwthecityreviewcommomahtml

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museum modern art sculpture garden york ny

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gallery  ad classics  museum  modern art

gallery ad classics museum modern art

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images  taniguchi yoshio  pinterest tadao

images taniguchi yoshio pinterest tadao

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museum  modern art

museum modern art

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ad classics  museum  modern art archdaily

ad classics museum modern art archdaily

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moma vhernandezv

moma vhernandezv

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photo

photo

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images  moma guesthouse  philip johnson digital

images moma guesthouse philip johnson digital

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ad classics modern architecture international exhibition

ad classics modern architecture international exhibition

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images  philip johnson architcture

images philip johnson architcture

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modernist architect philip johnson designed  tiny house

modernist architect philip johnson designed tiny house

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glass house eclairage indirect de richard kelly light

glass house eclairage indirect de richard kelly light

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scala archives collection moma il museo

scala archives collection moma il museo

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philip johnson   crutches  modern architecture

philip johnson crutches modern architecture

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philip johnson   art museum dumbarton oaks

philip johnson art museum dumbarton oaks

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moma google museumhotel

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momas proposal  sculpture garden pleases  riles

momas proposal sculpture garden pleases riles

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philip johnson museum modern art john

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juliet kinchin luke baker  conversation knoll

juliet kinchin luke baker conversation knoll

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deconstructivist architecture  years

deconstructivist architecture years

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alfred  barr jr  philip johnson ambassadors

alfred barr jr philip johnson ambassadors

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matt chock design

matt chock design

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york young architects program

york young architects program

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philip johnson chief curator  architecture  design

philip johnson chief curator architecture design

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johnson  la glass house  canaam  hyperbole

johnson la glass house canaam hyperbole

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moma  ngv showcasing  year  modern contemporary

moma ngv showcasing year modern contemporary

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men  momas taste  modernist design

men momas taste modernist design

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moma announces barry bergdolls successor  chief

moma announces barry bergdolls successor chief

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From the time a building is inaugurated and put in use it begins to age. It is therefore decisive for its success how it bears its flaws - as the flaws will indeed come! A completely new flawless building is beautiful and fascinating definitely, while using the freshness that appears good on cover pages. However, if your novelty has worn off, and time has started helping put its mark on it, the glossy magazines have turned their attention elsewhere! Like the style industry, your house industry idolizes the flawless, fresh and untried architecture, without having marks on its surface.

The life-span of an building outlives that relating to its makers by a lot of centuries, if done right. Therefore we must keep in mind that, up to we build to meet present demands, we also build for the future, using materials, forms, structures, and planning solutions that endure high quality of time. Otherwise our buildings may turn out obsolete, unloved, and perhaps even demolished before long. We simply cannot expect every single child create such ageless beauties as the Pantheon of Rome or Hagia Sophia of Istanbul, equally as we will most likely not look practically Sophia Loren if we turn 70.

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