Tate Modern is the world’s most visited museum of modern art. In its next stage of development the vision is to establish a new model for museums of modern and contemporary art, by fully integrating the display, learning and social functions of the museum, strengthening links between the museum, its locality and the city.
The focus of my PhD is to examine the role of cultural regeneration through arts and architecture using Tate Modern as the principal case study. My analysis questions the role of culture in acting as an urban regeneration tool in north Southwark and in London more widely and how cultural output connects with those who influence the urban environment of Tate Modern.
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From the second a building is inaugurated and put in use it begins to age. It is therefore decisive for its success the actual way it bears its flaws - since the flaws will indeed come! A new flawless building is beautiful and fascinating for certain, using the freshness that appears good on cover pages. However, as soon as the novelty has worn off, and time initiated a policy of to get its mark into it, the glossy magazines have turned their attention elsewhere! Like the fashion industry, the dwelling industry idolizes the flawless, fresh and untried architecture, devoid of marks on its surface.
The life-span on the building outlives that surrounding its makers by many people centuries, if done right. Therefore weve got to understand that, up to we build to meet up with present demands, we build in the future, using materials, forms, structures, and planning solutions that endure quality of time. Otherwise our buildings may turn out obsolete, unloved, and even perhaps demolished before long. We cannot expect so as to create such ageless beauties because the Pantheon of Rome or Hagia Sophia of Istanbul, just like we will most likely not look as good as Sophia Loren when we turn 70.
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