Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media. Architecture is more than buildings that we can experience firsthand, it also exists as a ...

Beatriz Colomina Beatriz Colomina is Professor of Architecture and Founding Director of the Program in Media and Modernity at Princeton University. She is the editor of Sexuality and Space, which was awarded the International Book Award by the American Institute of Architects.

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From the second a building is inaugurated and placed into use it starts to age. It is therefore decisive for its success what bears its flaws - considering that the flaws will indeed come! A brand new flawless building is beautiful and fascinating for certain, together with the freshness that looks good on cover pages. However, when the novelty has worn off, and time has started to set its mark on there, the glossy magazines have turned their attention elsewhere! Like the style industry, the building industry idolizes the flawless, fresh and untried architecture, without the need of marks on its surface.

The life-span on the building outlives that relating to its makers by a lot of centuries, if done right. Therefore we ought to understand that, almost as much as we build in order to reach present demands, we also build money, using materials, forms, structures, and planning solutions that endure high quality of time. Otherwise our buildings may wind up obsolete, unloved, and even perhaps demolished before long. We cant expect so as to create such ageless beauties since the Pantheon of Rome or Hagia Sophia of Istanbul, just like we still may not look as effective as Sophia Loren if we turn 70.

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